Movie Review: "We Are Marshall"
It is something that I imagine the friends and family members of every college and pro sports team worry about each and every time those teams travel:
What if their plane crashes?
This is exactly what happened on November 14, 1970, to the Marshall University football team, returning from a loss at East Carolina. The entire team (save a handful who stayed home and become important to the program's revival), the coaching staff, and many prominent members of the community where Marshall is located -- Huntington, West Virginia -- all died in the crash, 75 people in all.
"We Are Marshall" isn't about the crash itself, although it is shown briefly as the movie begins, and in one of the most effective ways I've ever seen -- you never see the actual crash, and what you do see is reflected more in the eyes of the people waiting for the plane to arrive, friends and relatives getting phone calls, rushing to the site of the crash, which you see only fleetingly, and flames in the distance; it makes you think and feel of the pain of the loss that the people and the community are suffering.
At the time Marshall was what we'd now call a "mid-major" program (it's now much bigger than that, and in recent years has sent players like Randy Moss and Byron Leftwich to the NFL), and the first instinct of the school's president Donald Dedmon (played understatedly by the excellent David Strathairn) is to cancel the program, pushed by university board member and prominent local citizen Paul Griffen (Ian McShane), who has also lost his son, a star running back, in the crash. Dedmon is a real person; "Griffen" is a composite character.
But four players from the team have survived, because they were left behind for various reasons, including injury, and one, defensive back Nate Ruffin (newcomer Anthony Mackie), helps to organize the entire university to show the board that they should keep the program alive.
So Dedmon heads off to try to find a new coach, and after going through an entire list of coaches who turn him down, finally gets a call from the coach of a small college in Ohio -- Jack Lengyel (Matthew McConaughey) who "wants to help".
It seems corny, and if this were fiction you'd probably walk out of the film scoffing, but since you know this is all a true story, you find the somewhat hokey sincerity of Lengyel refreshing. Remember, this is an era when athletes at this level of college sports are, still, more or less actually student-athletes, and McConaughey is so earnest in believing he can put together a team of walk-ons, players dragged from other sports, and freshmen recruited for the first time (if you don't know, at that time true freshmen were ineligible to play varsity sports, and it took a personal visit from Dedmon to NCAA headquarters in Kansas City to get a waiver for Marshall to do so, although I had to laugh because the scene in which you see this is the second one in the film in which you wonder why people don't remember to bring umbrellas in pouring rainstorms).
I won't spoil the rest, only will tell you that as is fairly standard in movies such as this, there is a climactic scene of triumph on the field at which you'd shake your head in disbelief if you didn't know it was a true story (the actual play that is shown is slightly different from reality, but not the result, or the effect on the community). For their part, the people of Huntington who saw a preview of the film didn't seem to mind that; almost all gave it big thumbs-up. Among the other true-to-life scenes is one where Lengyel and Dawson go to West Virginia University, whose team was then coached by Bobby Bowden, to try to get some help from him in creating a playbook to use. Bowden, still coaching at Florida State, has his own recollection of those times:
"I was the offensive coordinator at West Virginia and I wanted a job at a bigger school," said Bowden, who also turned down Louisville that same year. "They were not the powers they are now."
Rick Tolley eventually was named Marshall's coach.
"That's the first thing I thought, 'What if I had taken that job? I would have been on that plane,' " Bowden said. "It makes you think about why you make some of the decisions you do."
If you don't squeeze out a tear or two by the end of this movie, you don't have a heart. Wonderfully done, one of the best sports movies I've seen, but it's not just a sports movie, either. Don't miss it.
(Today's Top 100 will be posted later.)
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Hell, I admit it
Another...
Thus, the reason for the Madden cruiser now....
Wichita State
by SlamDog @ Bleed Cubbie Blue on Dec 23, 2006 12:33 PM CST reply actions
They might ad your review to the Ad
to see it ) and studios are getting increasingly desperate
to put good quotes in their ads ( remember 2 years ago
when Columbia invented a critic for quotes?). I can see it
now **(1/2) ( fyi the half part would be in REALLY small
type) Al Yellon BCB
Considering the critics they already use, they could to
worse
by jessica on Dec 23, 2006 12:59 PM CST reply actions
most of the people
Do the Trib & Sun Times still HAVE critics?
in that dept. They film has been ripped by what
we would call the serious critics ( well this is what
I do for a living). You can always tell when a film has
been or is about to be creamed by critics because the
ones who are quoted in the ads are people who have never
heard of ,writing for publications you never heard of
( or Larry King)
As for WE ARE MARSHALL , the studio is clearly pretty
desperate in it's marketing. Did anyone cathch Matthew McConaughey on MNF , it was pretty pathetic
The film has opened badly and will go down hill from
there in terms of box office. Will probably do well on DVD
but clearly it is tanker that is going to lose money overall
by jessica on Dec 23, 2006 2:13 PM CST up reply actions
Richard Roeper...
Hands down the worst critic
a national joke among film people. He knows next to
nothing about film. I don't mean to sound like some
snide elitist but he is a total moron. I grant you the
local serious critics like Wilmington & Rosenbaum can be
annoying and over the top but they at least know film
Roeper was plucked by Ebert to have an easy foil for
his show but alas his illness has given the guy a platform
I can't remember what film it was but I vividly remember
his attacking an excellent film because a lead charactor
was too "unlikeable". Now there is a major thought process.
As a rule a paper would not choose a theater or book critic
who had no real knowledge of the history and background
of their field ( " HEDDA GABLER is a terrible play, the main
charactor is totally unlikeable") but with film they think nothing of it because most editors don't take it seriously themselves.
by jessica on Dec 23, 2006 2:25 PM CST up reply actions

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